Dating english pottery
Banding is the application by hand or by machine of a band of colour to the edge of a plate or cup. Leather-hard refers to a clay body that has been dried partially. Depictions of humans were relatively rare. The wares have a distinctive veined or mottled appearance.
In these friezes, painters also began to apply lotuses or palmettes. The bodies are represented in a geometrical way except for the calves, which are rather protuberant. Wares may in this way be shaped, using relatively unskilled labour, in one operation at a rate of about twelve pieces per minute, though this varies with the size of the articles being produced. The vase has a white ground and maintains in several parts the traces of bluish, greenish and reddish paint.
Thrown pieces can be further modified by the attachment of handles, lids, feet and spouts. Red-figure work flourished there with the distinctive addition of polychromatic painting and in the case of the Black Sea colony of Panticapeum the gilded work of the Kerch Style. However, they adopt the principle of line drawing to replace the silhouette. They are now limited to small numbers of studio potters who value the unpredictability arising from the variable nature of the raw material. Contrasting coloured clays and grogs are sometimes used to produce patterns in the finished wares.
Corinth was eclipsed by Athenian trends since Athens was the progenitor of both the red-figure and white ground styles. Red-figure pottery Reveller and courtesan by Euphronios, c. The female figure Aphrodite is depicted seated, wearing an himation.
Pressure casting was developed in the s for the production of sanitaryware although, more recently, it has been applied to tableware. Glaze fired is the final stage of some pottery making. The jigger tool shapes one face while the mould shapes the other. This is common in Chinese porcelain of the classic periods. With care it is possible to apply a second coat of engobe of a different colour to the first and to incise decoration through the second coat to expose the colour of the underlying coat.
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